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As Viola cannot show her love for Orsino, the only way she can express them is in her soliloquies to the audience, this contributes to the dramatic ironies. I believe dramatic irony certainly adds to the magic of Twelfth Night. The disguise also causes mistaken identity, an example of this is when Sir Andrew goes looking for Cesario, finds who he thinks is Cesario, strikes him, the person.
This lesson explores Viola's monologue in Act 2,2 of 'Twelfth Night,' in which she considers Olivia's attraction to her. Viola is serving in Orsino's court as the young man Cesario, a role that.
For me, I think the most profitable focus in Twelfth Night might be on dramatic irony, when the audience is in possession of information which is unknown or unperceived by one or more of the characters. We know from the opening scenes that Viola is disguised as a man, Cesario: Orsino, who takes “him” on as a courtier; then Olivia, who falls in love with “him” when he appears as Orsino.
This situation is an example of dramatic irony, in which a character reveals information to the audience that other characters do not know. The audience knows that 'Cesario' is actually Viola, and.
Viola's disguise is once again a source of dramatic irony: we know that Viola is talking about her own love-melancholy and near madness. Yet, with Orsino once again acting self-absorbed—he only briefly listens to the story—the scene suggests that perhaps Orsino's love is selfish: his total disregard for Olivia's feelings make it seem like he is more in love with the idea of love than with.
Viola goes to meet Olivia and tells her everything Orsino told her too. Orsino also sent a ring with Viola to give to Olivia, which she did. As she leaves, Olivia realizes that she has fallen in love with her, even though she has no idea she is a woman dressed as a man. She sends Malvolio after her to give her the ring back. She then goes into a long monologue about the ring and how confused.
The dramatic world of the play is built essentially on the blocks of conflict. This conflict, on the whimsical island of Illyria, is that between the real and the imagined, the disguised and the actual. Shipwrecked and separated from her twin brother Sebastian, Viola truly becomes a symbol of perseverance and strength. Her many admirable character traits have been highlighted in this character.